Stop the lies! Nigeria did not originate highlife

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Evidence that highlife, an evolved version of indigenous Ghanaian sounds Osibisaba and Adaha which emerged in the early 1920s, is of Ghanaian origin abound. Highlife got to Nigeria around 1937. In Professor John Collins’ book Highlife Time 3, he writes in Chapter 47: “Nigeria is now a major centre for highlife. However, the music was introduced to the country from Ghana in variety of ways. At first, through the diffusion of the kokomba highlife, and 1937 Nigerian tour of the Cape Coast Sugar Babies Orchestra. Later came the 1950s records EK Nyame and Onyina’s guitar band and most importantly the early 50s tours of the Ghanaian Tempos band

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Moliy announces “Shake It To The Max” remix with Shenseea and Skillibeng

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Moliy took to X (formerly Twitter) to share the news. “I just announced an official remix with Skillibeng and Shenseea! I REPEAT I JUST ANNOUNCED AN OFFICIAL REMIX WITH SKILLIBENG AND SHENSEA.” She also unveiled the official artwork and revealed the release date as February 21, 2025

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AFROSON1C X announces co-curator music partnership with SXSW London

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According to Tom Russell, Founder of AFROSON1C X, commented, “SXSW is the world’s premier industry showcase festival and conference – a firm fixture in the music business calendar for many years. To be named a co-curator for its inaugural London edition is a significant moment for AFROSON1C X

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Celestial Praiz 11 by Celestine Donkor to be held on March 9

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This year’s edition themed I Do a New Thing is loaded with various activities to elevate the gospel music ministry. The theme is inspired by Isaiah 43:19 “Behold, I am doing a new thing; now it springs forth, do you not perceive it? I will make a way in the wilderness and rivers in the desert.”

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Arathejay’s ‘Jesus Christ II’ lands on Apple Music’s Africa Now: Best of 2024

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This recognition marks a stellar year for Arathejay, who was spotlighted as an Apple Music Artist in October. The track, which has become a cultural anthem, has consistently ranked in the top three on Apple Music’s “Top 100: Ghana” chart since its release, recently reclaiming the #1 position.

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All that a Ghana-owned streaming platform will require if it is to succeed

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The local creative industry has a significant issue regarding royalties and other non-traditional payment channels. I would have preferred that priority be given to addressing these challenges and helping musicians and filmmakers earn a decent living from their work

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