‘Too Much Hypocrisy,’ Says Joyce Blessing on Debate Over King Paluta’s ‘Aseda’ Song

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The debate over the boundaries between secular and gospel music has sparked significant discussion recently, with some arguing that it’s inappropriate for Christians to sing secular songs or those written by secular artists. This controversy has raised questions about the acceptance of music across different genres within church settings.

Ghanaian Gospel musician Joyce Blessing recently shared her thoughts on the debate, voicing strong support for King Paluta’s song “Aseda,” which she describes as a genuine gospel track with profound inspirational value. 

The gospel music diva, in a candid interview on Accra-based Hitz FM, expressed her admiration for the hit track for its alignment with gospel music’s core messages and its ability to uplift and motivate listeners.

Responding to criticisms regarding the song’s acceptance in churches, the artist behind the song ‘Adam Nana’ criticized what she sees as hypocrisy in dismissing “Aseda” solely because King Paluta is a secular artist. She argued that the focus should be on the song’s spiritual and motivational content rather than the artist’s genre or background.

Joyce went on to assert that King Paluta’s music has a positive and encouraging impact. She urged listeners to appreciate the message and intent of the music, irrespective of the artist’s affiliation, highlighting the universal appeal of uplifting and inspirational messages in both gospel and secular songs.

“King Paluta’s ‘Aseda’ is undeniably a gospel song. People have their own opinions, but sometimes there’s too much hypocrisy. All good gifts come from God. It’s not fair to label King Paluta negatively just because he doesn’t perform gospel songs exclusively. What kind of songs do you think he’s making?”

“I listen to his music regularly. When you hear the stories behind his songs, you’ll understand that he’s faced many struggles and that God has elevated him. We should all support him,” she said. 

Joyce Blessing also noted that there is no real distinction between gospel and secular artists, as everyone is making music for their fans.

Source: Emmanuel Sarpong

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